![]() “I’d assumed that, as usual in film, I wouldn’t be required to write the score until the film was completed, except for a number of on camera cues,” or occasions in which the film’s characters themselves perform. Corigliano was delighted to take on the assignment and relates: “Music plays a very important narrative role in our story many characters are scripted with musical notes as much as with words the soul of Anna Bussotti could not survive without her theme the journey through three centuries and three continents could not possibly exist without music.”Īs such he chose John Corigliano, whose compositional skills he respected for composer, and phenom Joshua Bell to be the voice of the Red Violin. As such, selection of the right composer and virtuoso violinist was crucial. Girard understood that integral to the success of “The Red Violin” would be the score. Critical reception was mixed, and the film received one Academy Award nomination, which secured the win – Best Film Score. The Red Violin was not a commercial success, earning only $10 million, which was insufficient to cover its $14 million production costs. Five vignettes trace its travels and ownership through time, with death, and misfortune coming to all who possess it. This unique story traces the creation of a legendary violin, its lore portended by a fateful tarot card reading, which dooms all that possess it to tragedy. Jackson as Charles Morritz, Colm Feore as the Auctioneer, and Don McKellar as Evan Williams. For Shanghai in the late 1960s he cast Sylvia Chang as Xiang Pei. For Oxford in the late 1890s he cast Jason Flemyng as Frederick Pope. For Vienna 1793 he cast Jean-Luc Bideau as Georges Poussin. For Cremona 1681 he cast Carlo Cecchi as Nicolò Bussotti and Irene Grazioli as Anna Rudolfi Bussotti. Casting was a challenge as five ensembles needed to be hired one for each of the film’s vignettes. Undeterred, he eventually secured backing from the Canadian firm Rhombus Media. He was unable to broker financing from American studios as they would not agree to a film with sub-titles of five different languages. ![]() However, he soon had the sober realization of the magnitude and extent of challenges posed by the project the story stretches over three centuries, from 1681 to 1997, and is set in five different countries, with five different set of actors, each with a different language. He hired Don McKellar to write the screenplay and was very happy with the final script. Director Francois Girard had long desired to make a film, which centered on music, and became inspired by the story of one of Antonio Stradivari’s most famous creations – the 1721 Red Mendelssohn, a violin which featured a unique red coloring on its top right side.
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